That said, Resolve is amazing at being able to push and pull those files around, and I'm happy with the result. But underexposed, as y'all know that's another story. If the 4.6k gets enough light the image quality is so great. Lots and lots of windows, big tracking job. Fairly involved grading task in Resolve because I was shooting between just-before-sunset to about 10pm and wanted to provide at least a relatively consistent lighting feel. A Sony RX100 was used to capture the 3 shots of the fireworks from the flying chair ride, and a Nikon D4 in high-speed burst mode was used for a couple of the fireworks shots to create a pixelated motion effect. The hyperlapse sequences were made with the X5R on the Osmo (raw 4k), and then post-processing those clips in Resolve with maximum motion blur, and then making another layer of much more heavily blurred footage (using ReelSmart motion blur) and comping those two layers together so the less-blurred footage is in the center of the image, etc. 80% of this was shot on the UM4.6k at 60 and 120fps, all raw 4:1. It started out as a low-light test of the Ursa Mini 4.6k & DJI X5R and also to see how well I could cut them together - and then it got a little out of hand.Īll done with permits, insurance, no flying over people, no flying after 30min past sunset, etc etc. Managed to bottle some lightning with this piece.
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